Flow

I read an article today that posited that financial blocks are indicative of creative blocks.  So, I thought it probably wouldn’t hurt to try to write a bit—maybe suddenly money will arrive if I put my creative mind to some creative writing.

But moments later, I realized that where my creative blocks are might not be here on this page.  Putting pen to paper (or fingers to keyboard, more aptly expressed) has never been hard for me.  I’m pretty sure that I wanted to be a writer from around 2nd grade.  I didn’t fully know that writing was my passion just a few years after, and it took me about 35 more years to get back to that passion, but I did want it at a young age.  I won’t go into the upsetting details about why I lost that focus, because even I am tired of hearing about the wounds of my history.  What I will say, is that at some point in my development—or maybe many small, important moments in my development—I had that passion pushed out of my mind.  I lost that knowing.

Understand that some of that loss was due to trauma.  You forget who you were before the trauma, they say.  I suppose I believe them.  I formed very little of my personality before I forgot it, so I didn’t have all that much to grasp at and hold onto.  But I know that I loved to do things that were artistic and creative.

I remember dancing.  Always dancing.  I remember singing.  Always singing.  I remember writing stories and poems and making picture books.  I remember sitting in the art room during recess on any occasion I was allowed to do so, and working on a painting or some clay dish.

Unfortunately, I also remember being judged.  And I remember coming up short.

Competition is a thing I hate.  Ask my brother-in-law, the lover of board games, and he will tell you that I am no fun because I never want to play.  That isn’t entirely true.  There are cooperative games that I really like to play, and there are particular groups of people with whom I like to play such games.  What I don’t like, is the measuring stick and the terms “winner” and “loser”.  There are a lot of people who won’t understand that I hate these things.  They might say I am a sore loser, or that I am just not as good a player, or that I identify too closely with the millennials who all get trophies and don’t know how to lose.

None of those are true.

I don’t like the way that certain people judge others, and I don’t like the way the worst comes out in people when competition is put into play.  Hehe.  Pun.

Seriously though…

I remember not having the best picture book in whatever grade that competition took place.  I remember not having the best art piece on any of the occasions.  I remember that my words weren’t honored and placed on walls with gold stars or blue ribbons.  And it isn’t that I am upset that I didn’t win—although as a child that may have been partly the case.  What bothers me about this system of measurement that was constantly reinforced, is that I was really, exceptionally gifted in all sorts of creative arts, but I never won the contests, so I thought that I was bad at what I loved most in life—to paint, and to sing, and to dance, and to write.

Around my junior and senior year of high school, I finally started to understand that the games and the contests weren’t the true measure of skill.  And at that point, I wanted to invest my time and my energy into learning to hone those skills that I somehow, inherently, had in the creative arts.  I said that I wanted to take a photography course, but I wasn’t allowed, because I hadn’t taken Art I and Art II and whatever other requisite courses one needed to pursue an art course.  But I didn’t want to paint fruit on platters, or learn how to shade well in my pencil sketches.  I wanted to take photos.  I wanted to be a photographer.  I found beauty in spaces where many could not, and I feel that I would have been skilled at photographing that beauty, and showing it to the world.  I wasn’t allowed.

I started to dance when I made the dance team in my first year of college.  I don’t know why I believed during this period that I could do things I was never allowed the chance to do when I was younger.  But I tried out, and I made it.  I was ecstatic, and it was amazing.  But the following year, the team that danced at half-time wasn’t a thing, and instead there would be a series of showcases.  The ballet jumps and the spotting during turns wasn’t something that anyone ever taught me.  I never had access to lessons.  I fell in front of all the people trying out, and I felt like the previous year—when I did an amazing job dancing my heart out in front of people—didn’t even exist anymore.  I wasn’t a real dancer.  I didn’t make the cut.

All of these moments—these competitive moments, when I was meant to prove my salt and come out on top—instead turned into a huge lie and a core belief that I held for many, many years.  I wasn’t an artist.  I wasn’t good enough to be on stage acting.  I didn’t even make the annual theater performance program when my own father directed the show.  He said he couldn’t cast both his children, or it would seem like favoritism, and it was The Music Man, so he needed my brother more than me in the cast—boys who love to dance and sing on stage weren’t quite so popular and accepted thirty years ago in small-town, rural America, I suppose.  But, even if he did wish to cast me, he didn’t.  Which made me feel like all those other girls were the talented and pretty and deserving girls.  Which meant that I was not.

I don’t know why competition is a thing.  I don’t know where it started.  I don’t think it ever ends.  But I do know that constantly falling just short of the cut, and not winning the praise and validation, made me stop working in the fields that I loved.  I stopped singing.  I stopped dancing.  I stopped playing the piano.  I stopped drawing.  I stopped painting.

Or, at least, I stopped doing them in public, or anywhere that other people got to judge my work and my skill in any way.  I couldn’t stop doing them altogether.  They are part of who I was meant to be.  I was always, as my little girl self felt, a writer.  I was always an artist.

And shame on each and every person who made me believe that couldn’t be true.  I had a love of the arts.  That alone was enough to qualify me and to give me permission to pursue a life and a career in the arts.

The blocks—the places where my creative energy doesn’t flow—are the doors that I closed on the dancer, the painter, the photographer, the writer, the poet.  The blocks come each time I feel like dancing, but don’t.  The blocks come when I am passionately pounding out a deep and layered piece on the piano, and I hear the garage door next to the music room open, so I quickly stop, put things in order, and rush upstairs so that nobody will know that I was playing—usually weeping as I do, because the piano has a language that can express my despair, my pain, my joy, and there is no other language I know that can do the same.  The blocks come when I look at something I have created, and deem it unsatisfactory, honing in on every possible perceived flaw, even while others are gushing awe and praise for that creation.

The blocks are there because I stopped believing I could be an artist, somewhere between the 2nd grade and today.

I don’t know if letting my creative expression flow will make my bank account attract the funds to pay the electric bill and get me some groceries.  But I do know that letting it flow will do other things that are good and necessary for me now.  I need to trust in my abilities.  I need to believe that what I love matters.  I need to know that no matter what anyone else thinks of my expression, it is valid, and it deserves to have a space in my life and in the world.  My creative side isn’t here to make certain I have scrapbooking group opportunities where I can find respite from caring for the kids.  (Though that is totally a worthy cause, people!  Scrapbook away! No judgment.  I suck at scrapbooking.  Which is kinda ironic, since most of my art is collage work of some sort, so I should be awesome at layering paper.)  I digress.  The point is that we love things because we need them and they need us.  My creative side is here to flow—to pour out upon the earth and to exist there.  And maybe your creativity is in the solving of difficult equations or positing really awesome stuff to prove and disprove using science or setting an amazing buffet before a crowd of people.  It doesn’t need to mean “the arts” for all of us.  But it should be recognized and validated and praised for all of us.

It is hard to put your heart out into the world and have people step on it.  And I don’t think that needs to happen.  Maybe everybody doesn’t get a trophy every time, so the kids still learn that life has ups and downs, and we don’t always get what we want.  But maybe everybody can be recognized, encouraged, and praised for showing up and trying, or for improving, or even for quitting!  When my daughter quit basketball or piano or French class or school, I praised her for knowing what she loved and what she didn’t love, and I praised her for trying, even if it wasn’t the right fit and the thing she wanted to continue to pursue.  And I helped her find the right fit, whenever possible.  (I still owe her a violin, by the way, because that was the right fit, but I couldn’t afford that fit and promised she would get one “someday”.)

I think that letting what naturally flows out from our hearts is usually beautiful.  Even when it is messy and complicated and not perfect, I still think what flows naturally is beautiful.  I’m in the minority with this view, I know.  Most of the people I know consider humanity flawed or cursed or sinful, and we just keep striving to be not that or better than that for a lifetime.  I don’t see it that way.  I think that humanity is stifled and broken and cut off from the beauty that naturally flows by competitions and bigotries and selfish motives that we learn over time.

Think about what you wanted to be when you were a child.  A fireman?  Superman?  A doctor? A mom?  Not many of us would have said “a ruthless investment banker who works himself or herself to death”.  But some of us turn out to be just that.

So, what if our earliest notions of self are actually the purest, but society convinces us that they are not, by pitting us against one another, and telling us that some of us win and some of us lose?

That thinking is very evident in recent weeks.  I’ve literally had people say to me that I am the loser in the game of healthcare. And what I lose is my health and possibly my life.  (Can I at least get a fucking participation trophy before I die, asshole?!)  The idea that some of us win and some of us lose, and that we don’t need to change that because it is the natural order, is one that devastates many, and allows us to harm others without conscience.  That is a terrible idea to foster and encourage!

So why can’t we do that opposite?

What is the worst that could happen, if we encouraged all the kids to dance?  What is the worst that could happen if the world had 80 million firefighters?  What is the worst that could happen if all the 2nd graders were acknowledged for something they loved?

Today, I’m thinking that we should all just let our creativity flow—whatever that means for us.  I would love to see rivers of creating in the streets, and not rivers of blood caused by all sorts of violence.  I would also love money to be attracted to me, and have cash flow mimic that creative flow, but that is a secondary goal.

So, tonight, despite my aching joints and without having the results of my lumbar spine MRI to diagnose a reason not to, I am going to dance.  And should a piano find a way up my stairs, I might pound on that passionately, even if my family members could hear.  And I will likely put my newly cleaned studio to use one day soon and layer some non-scrapbook related paper together to create some art.

Because writing this has definitely helped—even if my bank balance stays the same.  It has helped me to see and understand those blocks, and to begin on a path that removes them.  It has helped me to once again claim the title.  I am an artist!

Like You Mean It

My daughter and I were having a conversation the other day about my marketable skills.

I will spare you the details and the discouraging situation that I find myself in regarding balancing health and finances.  If you have not already become familiar with that situation, hit up some earlier posts to get up to speed.

But the outcome of that conversation led me to a new understanding of an old problem:  I don’t think I am good enough.

I’ve literally tattooed the word “Enough” on my left arm.  I deliberately put it in a place that I would see in the mirror every day, because I need the constant reminder that I am enough and good enough and allowed to set boundaries that say to others, “Enough. I won’t tolerate that anymore”.  Despite that reminder, I still slip into a space where my mind convinces me that I cannot accomplish or become or produce in positive ways.  I get sucked into perfectionism.  I get stuck in a mindset that sees criticism as punishment for what I lack.  I get trapped by self-defeating language.  I doubt that I am capable enough, or good enough, or talented enough.

So, while talking with my daughter, and positing a question about whether or not I might be successful in a particular venture, I came to understand that I don’t quit things, and I don’t fail.  I start something new.

I tell myself, “I am an author.  I’m going to work at being an author, and commit to that field.”  And then, a few months later, I am telling myself, “I am going to become a nutrition counselor.”  I take classes and start that venture.  Then, a few months later, I am telling myself, “I could sell my work on Etsy.  I would make money from what I find therapeutic—my art and crafts.”

And, suddenly, I am working toward everything and nothing.  I have too many starts and not enough follow-through.  I have no follow-through not because I can’t do the things, but because my energy is split and traveling in too many directions.

Life has always been this way for me.  I am a visionary—I start things all the time, and I have big dreams, and I am a great problem-solver.  I am not confident that I can be fabulous at any of those things that I start, and dream of, and find solutions for.  I start to doubt my ability, and I put the thing I was working toward on hold, while I think of something new.

I am writing three books.  By writing, I mean not working on at all, but having the idea that the books will someday be finished.  I am an amazing author, but I doubt that talent often enough to not complete any published works.  I am studying nutrition and holistic care.  And by studying, I mean that I am half way through an online study program that I have not even looked at in months.  I doubt that I can be successful in the field, or that people will take a sick, overweight person’s advice regarding wellness and weight loss.  I am opening an Etsy shop.  And by opening, I mean that I have a store name picked out and ideas for what art I will put in that store eventually.  I doubt that people will want or pay a fair price for the things that I have created, and that I will lose money, rather than make money.

My doubt rarely paralyzes me in the physical sense.  I don’t panic and freeze and lose my shit out in the world.  I look and act like a really “normal” person most of the time.  But, on the inside, I put myself into a space where I cannot accomplish anything, because I don’t believe that I can accomplish anything well enough.

Some of this perfectionism comes from my upbringing.  My mother and my grandmother before her were both very concerned with appearances, and with having everything “just so”—at least on the outside.  That desire to look perfect affected my generation as well.  And, at times, I think I am accidentally passing that perfectionism down to my daughter.  But, my family tree is not the only factor.  I also suffer from C-PTSD, a complex form that adds layers of struggle beyond those of the type of PTSD you usually see depicted in media—the combat-related type.  Perfectionism is a symptom of my disease.  When you are in a prolonged state of abuse, such as childhood molestation or domestic violence, your brain behaves in ways that make no sense, but are totally understandable.  You start to work really hard at pleasing people.  You start to do all that you can to make life, home, and self perfect, because you believe that the abuses are your fault—which is part of the terrible genius of abuse tactics.  If you can just do everything “right”, maybe you won’t be hurt, harmed, assaulted, yelled at, molested, or raped.  If you can be perfect, then there won’t be a reason for them to harm you.

But there is always a reason for them to harm you, because the harm has nothing to do with your performance, accomplishments, character, or way of being.  The harm has to do with them and their issues.

I can say that now.  I can say that the people who harmed me did so because of them, and not because of me.  But, even though I can say it, I am not integrated in my logic and my emotion.  Those things are split apart in the long-term abuse—the horror of captivity.  And, while I can say that I didn’t cause the abuses directed toward me, I cannot often feel that I didn’t cause those abuses.

Not being able to feel what I know is complicated.  It is also annoying and frustrating.  Reason and emotion are not tied together in the ways I want them to be tied.  So, I feel not good enough, even though I know that I am capable and strong and beautiful and good and honest and brave and brilliant.  What I know and what I feel cannot connect in the way that I would like them to connect.  So, I still strive for and do not reach perfection.

Perfection doesn’t exist.  You can never reach it, because it isn’t a thing.  Perspective, cultural difference, brain chemistry, opinions, different philosophies, and more make one idea of “perfection” impossible.  There is no such thing.  So, by striving for this goal, we sabotage ourselves.  We are fighting for a thing that is not achievable.  And that constantly disappoints us, and makes us doubt our ability or character or worth.

All of the above considerations came out of that one conversation with my daughter.  And I decided during that conversation that I need to “write like I mean it”.

I decided that I need to take that thing that I love and that I am good at, and I need to keep doing that thing until I can feel what I know.  I need to stop turning in different directions and dividing my energy.  I need to put my efforts into the things that I know I am and should be:  an author and an artist.  I need to act upon my belief that I am a good author and artist, and keep acting upon it until I feel deeply that I am talented.

Under different circumstances, that might sound like a very selfish and narcissistic way of thinking.  But, because I am so conditioned to judge myself “not good enough”, proclaiming my talent and putting all my energies into praise for that talent is a corrective measure that brings balance.

I’m going to put all of my eggs in this basket.  I’m going to write and create like I mean it.  I’m going to make this my life—not because I need to strive for a goal of perfection, but because I love writing and creating, and because I am exceptional in these areas.

Perfection isn’t real, but it still ruins so many of us.  While my C-PTSD makes the struggle against perfection more difficult, and a symptom to be managed, you don’t need to have a history of trauma and a mental illness to strive for things that you need not strive for, and cannot achieve.

I’m not saying to give up.  I’m trying to say the opposite.  I’m attempting to express that what you love is what you ought to pursue, regardless of what “perfection” might be getting in the way of that pursuit.  And I am attempting to express it for me as much as I am for anyone who might read this post.  Because sometimes the word “Enough” tattooed on my arm is not the only reminder needed.  Sometimes we need to keep telling ourselves a thing until we feel its truth, not just know or understand it.

I need to keep telling myself that finished is better than perfect.  I need to keep telling myself that writing and painting and sewing and covering surfaces in comics are worthy pursuits.  I need to keep telling myself that my belief that I am good enough is the truth, and that the feeling that I am not is the lie that I have been conditioned to accept.

I need to keep telling myself to write like I mean it.  This is my goal.  This is my life.   This is my contribution to the world.  This is what I love.  And I am not going to let “perfection” get in the way of doing what I love.

Whatever you do, do it like you mean it.  Because it is, and you are, enough.

Letting Go

When you have been hurt by people in the past, it can be really hard to trust people in the now.  And it isn’t the fault of whomever you are with now if someone before hurt you, but it is also not easy to keep the two experiences separate in your mind and heart.  As a result, we often try to control things in new relationship and new situations—to keep things safe and metered and carefully mapped.

But things like love and care don’t flourish in an environment where things are safe and metered and carefully mapped.  Passion can’t exist there.  Trust can’t exist there.  So, by trying to prevent hurt from happening we create a place where the happiest and most healing relating is also prevented.

I’m certainly not proposing that we let any and all experience happen to us, without setting boundaries or ensuring our health and safety.  We definitely need to be safe and have boundaries.  But there is only so far we can take those boundaries and that safety before they transform into something else—something more sinister and potentially damaging.  If we are not cognizant of what we are doing with those boundaries and that safety, they can become control.  They can become an inability to let go.

The other night I had a date.  It was an amazing date.  We had an early dinner and drinks, and there was not a moment of dead air between us.  We talked about all sorts of things, and then we dropped my leftover food off at his apartment on our way to a karaoke bar.  We had tons of fun.  We drank, he sang, we made “friends” with a group of Guns and Roses fans on one side of the bar, and a beautiful mother and her daughters celebrating a milestone birthday on the other.  He held the room captive as he sang, and every single person clapped and sang along with him.  He loved being on that stage, and his excitement was contagious.

Eventually we ate again, because we had been out for so many hours and had so many beers.  We took a cab to another bar, and once more he brought everyone into his state of excitement and his love of song.  And I watched him with pride.  Because between songs he was talking to me.

He was more than talking to me.  He was holding every word, and passionately engaged in conversation, and geeking out on my fandoms as hard as I do—maybe harder.  He was wrapping his arm around me.  He was holding me close.  He was kissing my lips.  And I felt honored to have him there doing so.  I felt blessed by his presence, and I felt privileged to be his chosen companion.  I was certain that he could choose lots of other women, but he was choosing me.

And I still refused to let go.

I didn’t sing on stage.  Which makes no sense, because from childhood I have been desiring the stage, and loving every moment I was allowed and able to sing upon it.  And while I am a bit self-conscious about my voice today, with hoarseness and the breaks of a pubescent boy often plaguing my vocal chords without warning.  But that wasn’t why I didn’t sing.  There were plenty of singers worse than I who took the stage.  And I sang loudly from our little table in the corner, with him at my side.  I didn’t go up because I was pretending I didn’t want to.

I wasn’t pretending for him.  I was pretending for me.

I was pretending I had too much humility or shyness or reservation to perform on stage.  I was making excuses for myself and to myself.  Because being up there meant being vulnerable.  Being up there meant I had no control over the outcome.  Being up there meant opening up and letting loose and letting go.  And I wouldn’t do it.

Later that night, back at his apartment, when I took off my shoes and my sweater and my scarf to be more comfortable and cool, the tattoo on my left arm was in full view.  After having hugged and kissed me a bit, he ran a finger over that tattoo, which boldly declares, “Enough”, and he said, “I assume this is about taking your life back.”  Taking my life back is how I described myself on the media platform where we first came into contact with one another.

He had the right of it.  That tattoo is part of fighting back, and saying I have had enough—that I won’t take any of the bullshit I do not want and that I create my experience from now on.

But that tattoo is also about reminding myself that I am “Enough”, just as I am and without any comment or consideration or care of another.  I am not almost good enough.  I am not lacking.  I am not without value or merit or reasons for pride.  I am, wholly and completely, enough.

And in that moment I started to cry.

I wasn’t entirely sure why at the time.  Further thought on the subject, however, brought me to the place I stand this morning.  I know now that I cried because I wasn’t acting like enough.  I wasn’t letting go and letting my true self shine.  I was controlling and metered and safe the whole night.  I was in the presence of another for only a few short hours.  But in those hours, I wanted to be what he admired, instead of being all that I am and waiting to see if he might admire me.  I wanted to create an ending where I don’t get hurt more than I wanted to create something real and deep and true.  And the moment I felt that was what I was doing, I wept.

Crying on the first date is usually a terrible idea, as a general rule.

But even then he was fabulous, and walked through that moment and moved forward with me to the next.  And a bit later I reluctantly left, wanting to remain curled up in his arms, but knowing that my poor dog needed my attention more than I needed the attention of this man.

The next day, thinking it all through once more, I felt ashamed.  I felt foolish.  I felt the familiar weight of having pretended instead of having let go to be myself.  And last night my text went unanswered, and all I could think was that I hoped that my pretending did not take the opportunity to be with this man again from me.  I hoped so much that my refusal to be vulnerable and true didn’t take away the joy of that night and leave me always wishing for another.

I still wait in hope.  And I hope that this realization will offer me a chance to step up next time, and to boldly belt out songs from that stage.

While I do want to see this man again, there is more to it now than a connection with a potential partner.  There are all these layers of decision that we must navigate in every single moment.  And in the moment, I denied the truth and didn’t let go.  In the moment I played safe and controlled and let the hurts of the past define me, and not the heart and the soul and the spirit of the present.  I sought approval, instead of seeking joy.

Sometimes, when people ask me about my history and what I might regret, I shock them with my answers.  They think that my bad marriage or the night of binge drinking where I was sexually assaulted before morning or my drug use or any number of “bad” or “sad” or “regrettable” decisions should be what leaves my lips.  But it is not those things that haunt me.  Because during that time, when all that chaos was happening around me, I still held fast to me.  I didn’t feel like that woman needed to hide in the shadows.  That woman took the stage.  That woman built her own fucking stage if there wasn’t one to take.  That woman was brave and powerful and wild in ways that her later incarnation has not been.  I regret leaving her behind.  I regret not being her on Friday night.  I regret that I forgot that I am enough.

I believe that this man will offer me another chance.  I believe that he is kind and caring and understanding, alongside being fun and courageous and cuddly and cute.

And when that chance comes, I need to swallow any hint of reservation, of safety, of control.  I need to jump up and sing out and let vulnerability rule the day.

I need to trust that I am still, and always, Enough.

I need to let my heart love.  I need to let my spirit fly free.  I need to find and hold joy.

I need to let go.

 

Procrastination

I once saw a meme on Pinterest that said something about the idea that you should make your living doing what you choose to do when you procrastinate. That made some sense to me, because that must be the thing you would always rather be doing.

Of course, I can procrastinate in myriad ways. And I will even sometimes stoop so low as to do the dishes before finishing a task I hate, even though if you asked what I hate most the response will often be “doing the dishes”. And I know I don’t want to make my living washing dishes. Done that. So over that. Never want to do that again.

But, I still think there may be some truth hidden in that meme, because right now all I want to do is write.

My “To Do” list includes: the hated washing of dishes, cleaning perishable items out of the fridge, packing food items, packing dog toys, portioning out medications to be sure I bring enough, packing the toiletries, spraying my peppermint oil bug repellant so centipedes don’t take over my house while I am away, packing extra Wii remotes and all the cords and chargers and various items needed to make electronics invade every aspect of life, pack my computer, unplug items that won’t be used while I am away, make my daughter pack the rest of her clothes (I am certain she will forget her bathing suit…the one I have mentioned four times already), put the butter in the fridge to avoid returning to a rancid stick of yuck where the butter once stood, prep snacks for the road, and take out the trash.

All this needs to be done in about 14 hours, and I should also sleep for seven or eight of those hours, at least. And yet I am typing about what needs be done instead of doing it. And maybe that is partly because this is the thing I love. This is my bliss. And when you have a long list of things to accomplish overwhelming your spirit, maybe the thing you love can help to calm and free and care for you.

I suspect that writing cares for me. I suppose that is why I am drawn to it, and always have been.

When I was young, books were a beautiful escape. I made a secret hideaway in the back of my closet and I would sneak back there and pour all of my attentions and affections into story. I loved the library. I loved the search for something new and interesting. I loved the way it felt like finding treasure when something you happened upon while browsing the shelves turned out to be one of your best friends, the story that you could not live without and that you read over and over until the librarian told you to cool it and let someone else check that book out for a change.

As I grew older the words began to come from inside. Mostly in jagged and torn sorts of poems or song lyrics. There was a lot of dysfunction and anger in those poems. So, I also started a journal. I would write out all the madness that was swimming in my head, and pour my struggles and pains onto the paper. It felt like a release. It felt good to get it out. And then, one day, I remembered that I used to write stories, and that I have always loved stories. So, I started to write those too.

Then I wrote flourishy-languaged and well-researched papers for graduate school. Some of them were rather fabulous. I still wonder at my lack of energy toward publishing any of them. I think they would have made great journal articles…might even have changed the world…but I didn’t seem to care and they sit in boxes in my office wondering if they will ever be read, I suppose. While I was writing for grad school, I mostly stopped writing for myself. I still loved writing, but the writing was to prove a point and to pass a class, not to let the stories out.

So now we come to today. We come to the place where almost all of what I write is written to tell my stories. And they are only about eight percent meant for others. They are told for me. They still offer me that release. They still allow me to get it out. Writing brings me peace. It brings me joy. It makes my life richer and more meaningful. It is the thing that I should be doing.

So, do it I shall!

And maybe it can be the way I make my living, or maybe it can be the way I find purpose in my life. Maybe it can be both and more. But what I know it will do now is make me late for my scheduled departure tomorrow, so perhaps I should stop doing the writing just now and start to tackle that list of tasks lazily labelled “B4 trip”

Don’t worry. I’m certain to send you some stories from the road!