creativity

Flow

/ christyterese / Leave a comment

I read an article today that posited that financial blocks are indicative of creative blocks.  So, I thought it probably wouldn’t hurt to try to write a bit—maybe suddenly money will arrive if I put my creative mind to some creative writing.

But moments later, I realized that where my creative blocks are might not be here on this page.  Putting pen to paper (or fingers to keyboard, more aptly expressed) has never been hard for me.  I’m pretty sure that I wanted to be a writer from around 2nd grade.  I didn’t fully know that writing was my passion just a few years after, and it took me about 35 more years to get back to that passion, but I did want it at a young age.  I won’t go into the upsetting details about why I lost that focus, because even I am tired of hearing about the wounds of my history.  What I will say, is that at some point in my development—or maybe many small, important moments in my development—I had that passion pushed out of my mind.  I lost that knowing.

Understand that some of that loss was due to trauma.  You forget who you were before the trauma, they say.  I suppose I believe them.  I formed very little of my personality before I forgot it, so I didn’t have all that much to grasp at and hold onto.  But I know that I loved to do things that were artistic and creative.

I remember dancing.  Always dancing.  I remember singing.  Always singing.  I remember writing stories and poems and making picture books.  I remember sitting in the art room during recess on any occasion I was allowed to do so, and working on a painting or some clay dish.

Unfortunately, I also remember being judged.  And I remember coming up short.

Competition is a thing I hate.  Ask my brother-in-law, the lover of board games, and he will tell you that I am no fun because I never want to play.  That isn’t entirely true.  There are cooperative games that I really like to play, and there are particular groups of people with whom I like to play such games.  What I don’t like, is the measuring stick and the terms “winner” and “loser”.  There are a lot of people who won’t understand that I hate these things.  They might say I am a sore loser, or that I am just not as good a player, or that I identify too closely with the millennials who all get trophies and don’t know how to lose.

None of those are true.

I don’t like the way that certain people judge others, and I don’t like the way the worst comes out in people when competition is put into play.  Hehe.  Pun.

Seriously though…

I remember not having the best picture book in whatever grade that competition took place.  I remember not having the best art piece on any of the occasions.  I remember that my words weren’t honored and placed on walls with gold stars or blue ribbons.  And it isn’t that I am upset that I didn’t win—although as a child that may have been partly the case.  What bothers me about this system of measurement that was constantly reinforced, is that I was really, exceptionally gifted in all sorts of creative arts, but I never won the contests, so I thought that I was bad at what I loved most in life—to paint, and to sing, and to dance, and to write.

Around my junior and senior year of high school, I finally started to understand that the games and the contests weren’t the true measure of skill.  And at that point, I wanted to invest my time and my energy into learning to hone those skills that I somehow, inherently, had in the creative arts.  I said that I wanted to take a photography course, but I wasn’t allowed, because I hadn’t taken Art I and Art II and whatever other requisite courses one needed to pursue an art course.  But I didn’t want to paint fruit on platters, or learn how to shade well in my pencil sketches.  I wanted to take photos.  I wanted to be a photographer.  I found beauty in spaces where many could not, and I feel that I would have been skilled at photographing that beauty, and showing it to the world.  I wasn’t allowed.

I started to dance when I made the dance team in my first year of college.  I don’t know why I believed during this period that I could do things I was never allowed the chance to do when I was younger.  But I tried out, and I made it.  I was ecstatic, and it was amazing.  But the following year, the team that danced at half-time wasn’t a thing, and instead there would be a series of showcases.  The ballet jumps and the spotting during turns wasn’t something that anyone ever taught me.  I never had access to lessons.  I fell in front of all the people trying out, and I felt like the previous year—when I did an amazing job dancing my heart out in front of people—didn’t even exist anymore.  I wasn’t a real dancer.  I didn’t make the cut.

All of these moments—these competitive moments, when I was meant to prove my salt and come out on top—instead turned into a huge lie and a core belief that I held for many, many years.  I wasn’t an artist.  I wasn’t good enough to be on stage acting.  I didn’t even make the annual theater performance program when my own father directed the show.  He said he couldn’t cast both his children, or it would seem like favoritism, and it was The Music Man, so he needed my brother more than me in the cast—boys who love to dance and sing on stage weren’t quite so popular and accepted thirty years ago in small-town, rural America, I suppose.  But, even if he did wish to cast me, he didn’t.  Which made me feel like all those other girls were the talented and pretty and deserving girls.  Which meant that I was not.

I don’t know why competition is a thing.  I don’t know where it started.  I don’t think it ever ends.  But I do know that constantly falling just short of the cut, and not winning the praise and validation, made me stop working in the fields that I loved.  I stopped singing.  I stopped dancing.  I stopped playing the piano.  I stopped drawing.  I stopped painting.

Or, at least, I stopped doing them in public, or anywhere that other people got to judge my work and my skill in any way.  I couldn’t stop doing them altogether.  They are part of who I was meant to be.  I was always, as my little girl self felt, a writer.  I was always an artist.

And shame on each and every person who made me believe that couldn’t be true.  I had a love of the arts.  That alone was enough to qualify me and to give me permission to pursue a life and a career in the arts.

The blocks—the places where my creative energy doesn’t flow—are the doors that I closed on the dancer, the painter, the photographer, the writer, the poet.  The blocks come each time I feel like dancing, but don’t.  The blocks come when I am passionately pounding out a deep and layered piece on the piano, and I hear the garage door next to the music room open, so I quickly stop, put things in order, and rush upstairs so that nobody will know that I was playing—usually weeping as I do, because the piano has a language that can express my despair, my pain, my joy, and there is no other language I know that can do the same.  The blocks come when I look at something I have created, and deem it unsatisfactory, honing in on every possible perceived flaw, even while others are gushing awe and praise for that creation.

The blocks are there because I stopped believing I could be an artist, somewhere between the 2nd grade and today.

I don’t know if letting my creative expression flow will make my bank account attract the funds to pay the electric bill and get me some groceries.  But I do know that letting it flow will do other things that are good and necessary for me now.  I need to trust in my abilities.  I need to believe that what I love matters.  I need to know that no matter what anyone else thinks of my expression, it is valid, and it deserves to have a space in my life and in the world.  My creative side isn’t here to make certain I have scrapbooking group opportunities where I can find respite from caring for the kids.  (Though that is totally a worthy cause, people!  Scrapbook away! No judgment.  I suck at scrapbooking.  Which is kinda ironic, since most of my art is collage work of some sort, so I should be awesome at layering paper.)  I digress.  The point is that we love things because we need them and they need us.  My creative side is here to flow—to pour out upon the earth and to exist there.  And maybe your creativity is in the solving of difficult equations or positing really awesome stuff to prove and disprove using science or setting an amazing buffet before a crowd of people.  It doesn’t need to mean “the arts” for all of us.  But it should be recognized and validated and praised for all of us.

It is hard to put your heart out into the world and have people step on it.  And I don’t think that needs to happen.  Maybe everybody doesn’t get a trophy every time, so the kids still learn that life has ups and downs, and we don’t always get what we want.  But maybe everybody can be recognized, encouraged, and praised for showing up and trying, or for improving, or even for quitting!  When my daughter quit basketball or piano or French class or school, I praised her for knowing what she loved and what she didn’t love, and I praised her for trying, even if it wasn’t the right fit and the thing she wanted to continue to pursue.  And I helped her find the right fit, whenever possible.  (I still owe her a violin, by the way, because that was the right fit, but I couldn’t afford that fit and promised she would get one “someday”.)

I think that letting what naturally flows out from our hearts is usually beautiful.  Even when it is messy and complicated and not perfect, I still think what flows naturally is beautiful.  I’m in the minority with this view, I know.  Most of the people I know consider humanity flawed or cursed or sinful, and we just keep striving to be not that or better than that for a lifetime.  I don’t see it that way.  I think that humanity is stifled and broken and cut off from the beauty that naturally flows by competitions and bigotries and selfish motives that we learn over time.

Think about what you wanted to be when you were a child.  A fireman?  Superman?  A doctor? A mom?  Not many of us would have said “a ruthless investment banker who works himself or herself to death”.  But some of us turn out to be just that.

So, what if our earliest notions of self are actually the purest, but society convinces us that they are not, by pitting us against one another, and telling us that some of us win and some of us lose?

That thinking is very evident in recent weeks.  I’ve literally had people say to me that I am the loser in the game of healthcare. And what I lose is my health and possibly my life.  (Can I at least get a fucking participation trophy before I die, asshole?!)  The idea that some of us win and some of us lose, and that we don’t need to change that because it is the natural order, is one that devastates many, and allows us to harm others without conscience.  That is a terrible idea to foster and encourage!

So why can’t we do that opposite?

What is the worst that could happen, if we encouraged all the kids to dance?  What is the worst that could happen if the world had 80 million firefighters?  What is the worst that could happen if all the 2nd graders were acknowledged for something they loved?

Today, I’m thinking that we should all just let our creativity flow—whatever that means for us.  I would love to see rivers of creating in the streets, and not rivers of blood caused by all sorts of violence.  I would also love money to be attracted to me, and have cash flow mimic that creative flow, but that is a secondary goal.

So, tonight, despite my aching joints and without having the results of my lumbar spine MRI to diagnose a reason not to, I am going to dance.  And should a piano find a way up my stairs, I might pound on that passionately, even if my family members could hear.  And I will likely put my newly cleaned studio to use one day soon and layer some non-scrapbook related paper together to create some art.

Because writing this has definitely helped—even if my bank balance stays the same.  It has helped me to see and understand those blocks, and to begin on a path that removes them.  It has helped me to once again claim the title.  I am an artist!

Muchness

/ christyterese / Leave a comment

There is a line in Lewis Carroll’s tales of Alice’s Adventures that reads: “‎You’re not the same as you were before,” he said. You were much more… muchier… you’ve lost your muchness.”

I’ve often liked that line, spoken to Alice about the ways that she has changed.  And though the point of Carroll’s writing was to make nonsense seem like sense and sense like nonsense, defying logic at every turn, I have always identified with the nonsense in a really lovely way.

I am Alice, in so many of these moments.  She is sort of tumbling through Wonderland in this state of shock.  Nothing makes sense.  Everything is literally and metaphorically topsy-turvy.  And what she believed to be true and correct and assumed by all, is not at all true and correct and assumed.

It is disorienting to discover that what you believed was sense is, instead, nonsense.

There are plenty of times in my life when I could relate to this disorientation.  There are many instances where the things I once believed turned out to be wrong or insufficient or nonsense.  And that isn’t an easy process to go through.  And it is a process made more difficult by those who are around you supporting the thing you once considered sense and standing in opposition.

In many ways I have gone through transformations over the course of my life.  And many of them are good changes, but some are or were not positive.  The trip that Alice takes doesn’t just seem to turn her into someone new, however.  It takes her back to who she was in her early years.  It takes her back to the space where nonsense is sense.  It takes her back into imagination and wonder and fun and passion and interest and joy.

And getting to that destination isn’t easy, but it is necessary.  If she doesn’t find her former self, the battle will be lost, and everything falls apart.

I think that this idea of a previous stage in Alice’s life as the best and most necessary stage is telling.  That she once found this strength within her, but now lacks it, expresses a lot.  It helps me see that there was a person I was, and a way that I was being, that might have been better or more necessary, even though it was an earlier and less “sensible” stage and state of being.  And for me, much of that ties to my imagination and my early years.

There is this space in our development that allows for all possibilities.  There is a time, especially in early childhood, when we are allowed to believe wholeheartedly that anything is possible and all the things are good and that we are safe and strong and able.  And that time doesn’t last long.  That time is cut short when we start to see the sense as more important than the nonsense.  We start to be told what we can and cannot accomplish.  We start to feel the weight of failure.  We start to play less and work more.  We lose touch with that fire that burned in our hearts when we believed that all the things were possible, and that nothing was beyond our reach.

I think this is the muchness that Alice is meant to rediscover—she needs to find that space where all the things are possible and nothing is beyond her reach.  She needs to believe in her strength, her will, her ability, and herself.   But not in her reason.  In her heart.

Several years back I was living in a less than stellar situation.  My cocaine addiction was being fed in the midst of a bad relationship.  I didn’t really like myself or the events that were happening or the ways that life was unfolding.  And I started reading and working through a book called Something More.  It had all these exercises within the pages that were designed to remind you who you are at your core.  Through the process of engaging with this book, I stopped wanting to engage in the life I was living.  I truly did start wanting something more.  And eventually my desire for more created a chasm between my partner and myself, and our relationship came to a violent end.  But that end was a catalyst for a new beginning.  A remaking based on a remembrance.  A memory of who I was and what I wanted in early childhood began to fuel the creation of this new way of being.

It was a much improved way of being, to be sure.  And it was a good way of being for some time.  But, today, I find myself back in a space where I want more, and I feel like I have lost a bit of myself.  I have disconnected from the desires of my heart once more, and fallen into the trap of being sensible.  I have lost my muchness.

And now the question that remains:  How do I find it again?

Alice falls down a hole and ends up in crazy town.  I don’t think I want to fall down any holes and end up in crazy town.  But falling down holes and landing in nonsense isn’t practical for most of us.  We need to find another way back to our muchness.

The book Something More definitely helped me find my muchness in the past, but I don’t know that repeating that process will yield a better or different result.  And the path to nonsense isn’t one that many embark upon, so there are not a lot of guidebooks to set you on your way.

So, for lack of better options, I have gone back to what apparently served us well as children—I have been incessantly asking, “Why?”

I remember when my daughter went through this stage.  It was annoying and infuriating and beautiful.  I quickly discovered that if I gave her the most detailed scientific explanation possible, she stopped repeating the question.  For some time, I thought that I had quieted her questioning by confusing her.  But, after further consideration, I realized that she wasn’t quieted because she was confused, but because the answer was believable. It was the whole truth.  She knew the difference, as a toddler, between me pandering to her and me telling her the answer to her questions.  And some of my answers would, at a later date in my life and hers, change.  But she could tell when I was speaking what I believed to be true and when I was giving child-sized explanations that didn’t tell the whole story.

So, to get back to myself—to rediscover my core desires and beliefs and find my muchness—I am asking why until I get an answer that feels fully true and wholly believable.

That isn’t an easy process.  I feels a bit like falling down a hole and landing in crazy town.  And constantly questioning your reasons for beliefs and actions can, at first, feel like it is breaking you in pieces.  It feels like you don’t and can’t trust yourself.  It feels like judgment, if you come from a background or current environment that tends to be judgmental.  And it can be really uncomfortable.

But when you keep questioning—when you continue to dig until you get to what feels like the true and full answer to the “why”—you begin to feel stronger and better and more confident in what you believe and in how you choose to act.  It takes time.  Lots of time.  And it is worth every moment of that time.  Because it is really easy to become a believer of the easy answer and to follow the path of collective “sense”, but that collective and simplistic way of approaching the world may be (as it was for me) in conflict with your deepest and truest desire.

My nonsense is better than the world’s sense.

The creative, empathic, passionate, adventurous, strong woman that I am often clashes with what might be considered common sense.  When I follow my heart I end up moving 2000 miles to a new city with no job, no home, and no acceptance letter to the school I hope to attend.  When I follow my heart I end up in the ghetto surrounded by a strange mix of chaos and community.  When I follow my heart I break up with great people to pursue a connection more passionate and powerful than the perceived “Mr. Right” offers.  When I follow my heart my business card reads “Author” and “Artist”, not M.Div.

When I follow my heart I exhibit all sorts of “nonsense”.  I anger people.  I frustrate people.  But I connect to me, and to my understanding and my desire and my core belief, in amazing ways.

I find my muchness.  I get muchier.  I find me.

And we can debate for a millennium the ways that who I am may or may not be “wrong” or “bad” or “immoral”.  I don’t really care to do that, but I always invite civil discussion and dialogue, so I will do so if it seems productive.  But that debate won’t likely end with me changing my view, because the view is formed by the constant questioning and the finding of my muchness.  I’m not going to give that up easily or quickly. I’m going to hold on to that muchness and seek to always follow my heart.

And that might look like nonsense.

I’m totally happy with it looking like nonsense to others, if it feels like the deepest truth to me.  And the philosophical and theological definitions of truth don’t need to be addressed when I look to my muchness.  Because no matter what moral or philosophical dilemma I am faced with, I will still look to my heart, my understanding, my experience, and my study to find the truest and most complete answer.  That might not be the answer you prefer, but I am not made unique in order to become mundanely accepting of someone else’s views.

I am made for my muchness.  I am made to live in it and with it and through it.   I am made to use it to create a better world, to offer new ideas, to live with gusto, and to turn the world on its head and make you feel like you fell down a hole into crazy town, so that you too can investigate, pursue, and live out your own muchness.

It will look different for each of us. Because the truest and most complete answer to all of the “why’s” won’t always align.  We are different people, with different knowledge and experience, and different hearts.  But that doesn’t mean we cannot live together in harmony.  We can do so, if we simply respect and honor the muchness of others—their opinions and beliefs and understandings and experiences and hearts.

I got into an argument with my sister the other day.  There was voice raising and abrupt hanging up of phones involved.  It wasn’t pretty.

Afterward, I continued to ask “why”.  Because her heart says something that my heart cannot.  And my heart says something that hers cannot.  This is true because we are different people, with different experiences and understanding.  But it didn’t break our relationship.  In fact, it might grow all the stronger after the lengthy text messages following the argument that worked to express love and commitments to listen to one another’s needs more fully and respectfully.  But when I sought out the why, I could see her perspective clearly and, simultaneously, know that I am firmly rooted in my perspective for really important reasons.  And while my perspective feels like nonsense to her, it is sense for me.

So, I am holding on to my nonsensical muchness, with the confidence that I will continue to investigate what feels most true and whole, and with the knowledge that my views make others feel, at times, like they fell down a hole into crazy town.

I can accept that.  And I can try to lower them into crazy town gently and with kindness and compassion.  But I can’t give up my muchness.  It takes such work to find it and hold it.  Alice couldn’t hold her heart and her imagination in high regard.  She lost her muchness.  And so have I, but I am regaining it.

I am letting the topsy-turvy feel like home.  I am allowing my own heart to speak.  I am filling life with what I love.  I am returning to the strength within, letting my imagination run wild, embracing the way that I have been fashioned, loving who I am, and continuing to seek out the most complete answer to the question, “Why?”.

I am opening myself to the nonsense, and refusing to be confined by the restraints of the status quo.

I am becoming muchier.  I am finding my heart.  I am gaining something more.

I am embracing my muchness.

 

 

Project

/ christyterese / Leave a comment

Over the last several weeks I have been embarking on a project to increase my wall art.  I’ve lived in this apartment for five years now, and it is about time that I make the walls my own, instead of just putting a few things on existing nails leftover from someone else’s decorating.

It is a bit strange that there are any leftover nails, since the apartment was rehabbed before I moved in, but either there was a laziness about my apartment’s painters, or the nails that stayed were deeply embedded and left after some effort for removal failed.  But regardless of why they remain, I have used them for my own purposes, and put up a few pictures in the places that had some hardware already installed.

When my daughter and I moved in here, I had recently had surgery and couldn’t lift anything, so friends and family loaded my belongings on one end of the move, and nearby family unloaded those belongings and placed the heavy things in the places to which I pointed on the other end.  And while I am very grateful for the help that I received, once we were alone in the apartment that first evening, it still seemed overwhelming.  Unpacking each box and placing everything where it would come to belong was arduous, and more so because I wasn’t supposed to carry heavy things, and I own too many heavy things.  Even the boxes of bedding become heavy if you pack tightly enough—and I packed tightly enough.

So, turning the bare space into home took a long time.  And filling the spaces where we had left items behind also took time.  I’ve always used moving as an opportunity to purge, and I got rid of a lot of things before the packing even took place.  But over time, I had furniture and shelving and décor to make this house a home.  Except the walls.

I don’t know if it is the habit of moving every year for many years, or my own feelings of not being able to put roots down, or not having the energy to measure and countersink and nail that has kept the walls mostly bare.  I suspect that it has more to do with the feelings, but I can’t always find reasons for what I do with precision.

I do know that I have somehow shifted my thinking, and I want to cover the walls with items and words and pictures that make me feel comfortable and at home.

But, like all the projects around here, this one is about a quarter of the way to completion.

I have the habit of not finishing things.  And it isn’t because I am lazy … though I can claim fatigue and illness keep me from getting things done.  It probably has more to do with boredom.  I start a thing excited about the process of doing and with great expectations for the final product.  But hours or days or months down the road, I don’t find it fun, and I don’t care about it much, and I completely lose interest.

This habit results in all sorts of unfinished projects.  In a corner, there is a bin full of denim and denim strips that is meant to be a braided rug.  On my drafting table lie two unfinished canvases that are meant to be art over my bed.  In another two bins there are piles of fabric that are to be used for quilt making, once I can figure out how it is that I used to sew—clearly it is not a skill that I remember with ease.  There are coasters my mom painted that never got a coat of varnish as her dementia began to affect her art, which are still waiting for that coat of varnish.  I have a ball of yarn still wrapped around knitting needles in a bag, a potential scarf with multiple holes, because I suck at knitting, frankly.  There is a pitch fork setting on the landing where I requested the landlord leave it, so I could plant a row of lavender bushes along the side fence.

I clearly don’t discriminate.  Sewing, paper crafts, photo albums, gardening, and painting all sit unfinished and create disarray in my office/art studio space. I have tried to work out, time and again, why I lose interest in everything and complete almost nothing.  And I have no answer better than “I am an innovator”.

It is true.  I am an innovator.  I have all the ideas and little of the follow-through.  If I could be paid to think of new and interesting ideas, I would never have another financial struggle.  I am extraordinarily gifted in brainstorming, creating, and starting things.  I am really bad at the finishing of those things.

And while I don’t know that innovation is the full reason behind me not completing projects, it does point to some truths about me that should not be ignored.

I lose interest.  I need to be drawn into a thing, and it has to keep revealing itself as new and interesting. And I suspect this applies to all of my life.

The other day I had a second date with someone.  As we talked over our cups of tea, she told me the same story she had told me on date one.  She repeated the same information not just once, but twice, in one date—and the second date.  There should have been new things to talk about on date two!  And, just like that, I was disinterested not only in the repetitive stories, but also in the person telling them.  I wasn’t drawn in.  She didn’t reveal herself in new and interesting ways.  I even wondered if she was dating so many women that she didn’t actually remember to whom she had expressed what stories.  And our own story has likely ended because she told me hers twice.

That might seem harsh to some—especially those who are very accommodating and accustomed to routine.  But it doesn’t seem harsh to me, because that is how I approach all sorts of things.  I need that interest and I need that newness and I need things to change.  The reasons behind that need are vast and complex and numerous, I suspect.   The reasons are also, likely, contradictory—adding to the cognitive dissonance and dichotomy that I am prone to struggle with in life.

I think that I might always want change because I am afraid of stability, and I am afraid of endings, and I am afraid of stasis.  But I am afraid of those things because I want those things.  (Yes, I am aware that makes no sense.)  I would love to end the moving and find security and become a permanent fixture in a space of my own.  But I don’t believe that I am capable of that ending and finding and becoming, based on the events of my past.  I’ve lost faith in the idea that I can be home.

Security was very much lacking in my youth.  And not because I wasn’t offered a loving home or my needs weren’t met, physically.  My parents worked hard to provide for me, and I am ever grateful.  But I also felt captive and wanted to escape my childhood home, my town, my church, my school, and more.  I never felt home and safe and whole in any of those spaces.  I still don’t.  I might never feel home and safe and whole in those spaces.  And because I didn’t feel home and safe and whole, I longed for that.  I looked in all sorts of places for that feeling.  I think a few times I came close to finding that feeling, but something always stepped in the way, and restrained me as I tried to reach out for it.  Every time I thought I had found wholeness and a place to call home, it was torn from me or shattered or inaccessible.  And every time that shattering and tearing happened, I became more convinced that I wasn’t allowed to feel home.  I would never be whole.  I would never stay.

So, I keep moving, and I don’t dare to finish the projects and put the things on the wall.  I fear that the moment I claim this space as my home, it will be taken from me.  And that threat looms larger given my financial stress and disabled status.  I don’t trust that this is home.  I don’t trust that there will ever be one for me.  I’ve lost much of the hope that I can own a home, or feel at home, or ever be whole.  And my projects are like my soul—not complete.

I think there is some comfort to be found, however.  And I think that comfort comes in the starting of every new project.  I believe that the constant beginnings mean that I am still fighting toward the idea that home can happen, and that wholeness can be found, and that art installation isn’t necessarily a death sentence for the walls around me.  I trust that the new projects are proofs of the security and ownership and stasis to come.  I believe that one day my longing will be answered with fullness, and all of these projects can be completed—even the project that is my soul.

It might still take some months or years to complete the rug and the quilts and the art pieces for my walls.  And maybe some of those projects will be crossed off the list and the materials discarded or repurposed at some point.  But many of them will one day be finished and added to my home.

I have created a comfortable space here, in my spacious and sunny Westside apartment.  And even if it isn’t my permanent home, I am determined to claim more and more of it, for the time being.  I have finished some projects—building an amazing desk, creating a peaceful and inviting yoga and meditation space, curating the perfect guest room items to make others feel welcome, putting together the bits and pieces that come in the box of pre-drilled furniture items.  I think I can safely say that I will complete more projects over time.  And I think that I can safely say that I will work through the challenges of wholeness and home that present themselves as I work on completing those projects.

Hopefully, at some point, I can find enough peace and wholeness within myself that I don’t feel the need and longing that creates strife for my spirit, and makes me fear the loss and lack that accompany insecurity.  I still work to keep new ideas of a beautiful future at the forefront of my mind.  I work to keep on creating and brainstorming.  I imagine the home of my dreams.  It isn’t extravagant and it isn’t large.  It is just comfortable, bright, and happy.

And there are lots of finished projects on the walls.

Excellence

/ christyterese / Leave a comment

Sometimes it feels like a challenge to hold on to the good qualities I have, and not get stuck in an endless cycle of negativity.  The whole growing up in a Dutch Reformed area where you are constantly told how depraved you are thing probably didn’t help matters.  Having a mother who followed compliments with a “but…” certainly didn’t help matters.  And the added weight of shame and confusion and pain from childhood trauma compounded the focus on the bad things, and the distance between me and the knowledge of my skills.

And our society didn’t help me to hold the good qualities.  I was recently reading a theory of how school takes what was creative and forces it to be linear.  Blobs with legs are left behind, and in their place sit letters and numbers with distinct requirements and a lack of creative expression.  And as we become more and more focused on the “correctness” of penmanship and math equations and memorization, we start to lose confidence in the blobs with legs and the ways that we expressed our thoughts and emotions through our drawing or singing or dancing, without a care of skill or proper technique.  This theory struck a chord with me (no pun intended).

I was one of those children who loved to draw and paint and sing and dance and run and climb and express myself with abandon.  I know this, not because I remember doing those things as a child, but because my spirit still cries out to do these things.  And I rarely do them, despite those cries.  I haven’t sung alone in public since high school, perhaps.  I haven’t painted a picture since elementary school, I would guess.  And dancing only happens when I drink too much at a club or when I am shuttered away behind the most closed of doors, even though my body wants to throw out my arms and twirl more often than I might like to admit.  Something in me still desires all of that expression.  Bits of it spill out at times:  singing in the college choir, decorating a cake, doing a bit of DIY furniture refinishing, tapping my foot in time with the music streaming through my headset while I ride the bus.  But, for the most part, my artistic self is hidden behind walls of “not good at” and “not appropriate” and “just something I threw together” and plain old avoidance of the production of art.

“But you write, Christy”, might be a response that has occurred to you already.  It occurred to me too.  But I realized that it has taken many years to for me to embrace my writing as a skill or an art form or an outlet for emotional expression.  And I also spent many years practicing that skill and art in secret … writing poems or letters in hidden notebooks that never met eyes other than my own.  And I did so, because I feared the judgments of others, and felt like my expression wouldn’t be “good enough”.

I have the word “Enough” tattooed on my arm.  I see it every morning when I get dressed.  That tattoo is meant for the whole of me—to see myself as enough as I am, without outside affirmation or some need to perform as others would prefer.  But I think that this word also applies to accepting my expression as enough, whether others judge it so or not.

I remember when I was in elementary school I loved to work on my paintings.  And at one point, probably around grade five or six, there was an art competition for our grade.  I spent time before school and at every recess working diligently on perfecting a landscape that would be entered for the competition.  I put all of my heart and soul into that picture.  And it was eliminated in the first round of competition—just picked up and placed aside, for a reason I would never learn, in the pile of rejected art.   It broke me.

Having my expression judged as unworthy hurt me. Deeply.

And that wasn’t the first time, though it stands out as a stellar example.

I remember working so hard on penmanship—practicing the letters over and over and over—and having a big “unsatisfactory” mark on my report card anyway.  I remember sitting alone at a table during the lunch recess and attempting to be faster in the timed math quizzes, and never improving.  I remember working tirelessly to memorize spelling words in grades four, five, and six, because I was a terrible speller, and working my way from the lowest level to the highest and then losing the spelling bee because of the word commitment, which I gave an extra “t”.  Shattered over and over by the ways I tried and failed, I didn’t give up like you might imagine I would.  I kept trying.  But I kept failing.  And it wasn’t that I failed because I wasn’t skilled or creative or capable, but it was failure because I expressed myself in ways that weren’t what others desired from me.  Dark paintings, a loud voice, not the right height for the part, a penchant for modern when what we want is classical, playing by ear instead of reading the notes, and on and on and on.  I was too much, or too little, or too big, or too small, or too raw, or too stiff, or too…

I was never quite right.  My expressions were never quite right.

So, I stopped telling the truth.  I stopped expressing myself truly and deeply and passionately.  I started being what was expected and acceptable, and in the process I stopped being me.  I stopped knowing me, in many ways.

I did begin to write again, in those secret notebooks, after a book I was reading encouraged me to look back at my childhood self and to try and remember what she loved.  As a woman in her twenties, who had a toddler of her own, I finally looked back and saw that I loved to climb trees and to play with my easy-bake oven and to dance around and to act in plays and to draw and to paint and to sing and to express art in all sorts of ways.  One of the first things I wrote was that list of things that I loved as a child, and inadvertently, I sparked the knowledge that I love to write.  I loved to tell stories.  I loved to say all the things.  But I was silenced by modern academic practices and the idea that performing well was more important than the trying and the expression and the feeling of creating.

So, today I stand as one who still, ultimately, judges every word and every post and every page and every canvas and every project and every single thing about her work with harshness and perfectionism, because I can’t seem to be that child who loves to do the things and say the things, even though I now have full knowledge of her and what she wants and its importance in being whole as an adult woman.  Because I am her and she is me and that which was silenced needs to find its voice once more.

I am learning that what is excellent is not, necessarily, performing in ways that meet the expectations of others, or some arbitrary standards, or to the public perception of success.  What is excellent is being free to express the whole of me, and to say and do and create with that freedom.  Expression itself is excellent.

It is our right to express things, in theory—freedom of speech.  But somewhere along the line that “freedom” started to mean the ability to promote the status quo, in the minds of many.  And true freedom of expression is lost to us.  Offering the whole story, or having the narrative be told by the ones who experience the events firsthand, or allowing the narrative to change based on new information, or letting all voices be heard and judged with equal merit and weight, or just listening to a new perspective is practically non-existent.  What we offer instead is the acceptance of that which meets our criteria and the rejection of all else.  People get put in the pile of rejected art, without ever knowing the reason.  Nations get put in the pile of rejected expression.  Religions get put in the pile.  Races get put in the pile.  Redheads get put in the pile.  All sorts of arbitrary conditions now threaten to put you in the pile of rejected expression, because you didn’t meet the standard of expectations.

And I have yet to figure out who created the standard of expectations.  My best guess would be white, male, heterosexual evangelicals in positions of power or with wealth…or both.  Because patriarchal heteronormative expressions with straight lettering and correct math seem to be accepted above all. (Well, the math is questionable, because things like the number of shooting deaths correlating to the number of accessible handguns seem to be frequently ignored or misrepresented.) Because things that declare the name of Jesus seem to be accepted above all (even when Jesus himself NEVER SAID THOSE THINGS).  Because things that make rich white guys more rich seem accepted above all.  Because “traditional values” like the racism and oppression of the 1950’s seem to be accepted above all.  Basically anything that promotes the white, male, heterosexual evangelical with power or wealth or both is accepted above all, so it is safe to assume they are the ones writing the rule book on acceptable expression.

But regardless of who created the standard of expectations, we need not appeal to that standard.  We are capable and skilled and creative whether the current standards say so or not.

And we ALL spent time as children creating blobs with legs and calling them Grandpa, so we all have the capacity to create without the linear expectations of an alphabet controlling the outcome.  We have enough imagination to flood the world with expectation-breaking media!  We have the ability to sing and dance and climb and paint our way into a new world, where each of us is enough, and where nobody gets put in the pile of rejected expression, but every narrative is told and every story is honored and heard.

Rich, straight, white guys don’t get to tell us what to say.  Mothers that don’t know how to compliment us without adding “but…” on the end don’t get to tell us what to say.  Teachers who care more about an Oxford comma than a beautiful expression of life don’t get to tell us what to say or how to say it.  Judges at the grade six art competition don’t get to tell us what to say or how to say it.  We can take back our right to speak, and use it as a form of expression that sets the world ablaze.

I think often of people who set the world ablaze with their expressions.  Organizers,  poets, composers, pastors or priests or popes, writers, philosophers, politicians, bloggers, and parents or teachers or mentors who let the truth of their stories and ideas flow freely and who influenced people or events or movements or generations with their expression are my heroes.  And even the writers of the super hero comics use creative expressions to offer us ideas of justice and peace and good. (Those are some of my favorite expressions.)  Any voice that counters the violence and injustice of the patriarchal heteronormative narrative that is so pervasive in our society and world at present is heroic and beautiful and good, in my opinion.  Because every incidence of counter-expression is a little nudge toward true freedom.  Every example of free expression fights against oppression and fascism and maintaining the status quo. And I am all about fighting against oppression and fascism and maintaining the status quo.

I think my childhood art expressed that fight, regardless of whether anyone understood such art.  The pictures were dark because my life was painful, and my voice was loud because I needed to be heard, and the raw me was too much because it expressed a difficult to bear narrative, and the stiff me was too guarded and kept because I recognized the way the raw me caused people to flee.  And the truth of my self and my story was locked behind closed doors for many years.

As my young self emerges, and as my art emerges, and as my story emerges, I am still met, at times, with judgments and shaming and rejections and people who would prefer all of it stay hidden.  But that doesn’t break me anymore.

My story and my expression and my art have become stronger than the voices of dissent and disagreement.

I have begun to see the excellence in my expression as expression.  I have begun to travel a road toward recognition of my right and my need to place my feelings on paper and to act them out with my body’s movements and to paint them on canvas and to craft them in various ways, and toward recognizing my desire and my intent and my action in doing so as excellent.

Just because you don’t fit in with the normative standard of the society doesn’t mean that you are not excellent.  It might mean that the normative standard of your society is shit!

So, to inspire you, and to affirm me, here is a list of excellence to get you thinking about your own excellent self and expressions:

The Excellence of Christy

  • Christy makes excellent soup
  • Christy has excellent toes—super cute ones
  • Christy is an excellent painter
  • Christy makes excellent baked goods
  • Christy is an excellent advocate for her own health and wellness
  • Christy decorates cakes with excellence
  • Christy finds excellent clearance sales to create a cheap but excellent wardrobe
  • Christy excels at writing well and beautifully
  • Christy is an excellent dancer
  • Christy excels at napping
  • Christy has excellent listening skills
  • Christy excels at showing compassion to others
  • Christy crafts excellent, diplomatic, and kind Facebook comment rebuttals
  • Christy is an excellent friend
  • Christy excels at talking on the phone for hours
  • Christy is excellent at finding value in objects others cast off
  • Christy excels at treating the marginalized like they are human
  • Christy navigates public transit (with one hand and two grocery bags) with excellence
  • Christy is an excellent researcher, teacher, and student
  • Christy gave birth to an excellent child and became an excellent parent
  • Christy excels at seeking assistance when shit gets difficult
  • Christy is excellent at getting others to rally around a cause she finds important
  • Christy has an excellent singing voice
  • Christy excels at inventing songs throughout her day, so it seems as though she lives in a musical
  • Christy excels at watching musicals
  • Christy excels at swallowing a handful of pills at one time
  • Christy performs Harry Potter quizzes with excellence
  • Christy draws excellent self-portraits
  • Christy is excellent at cleaning up after her dog, and at feeding him too many table scraps
  • Christy is excellent at not defining her sexuality
  • Christy excels in finding partners just slightly less neurotic than the last
  • Christy excels at learning tasks very quickly
  • Christy is excellent at pinning items she will never create to Pinterest
  • Christy excels at making lists about how excellent she is (Just kidding…that was actually kind of difficult, but a good exercise, nonetheless, and one I think you should also try—only about you, not me, of course, and then go out and express yourself in those excellent ways! I’m going to make some soup and take a nap.)

 

 

Some things never change

/ christyterese / Leave a comment

I’m sort of a change addict.  I rearrange things all the time.  From the files in my office to the paints in my studio to the furniture in the rooms to the items on my bedside table, I am always looking for another way to place things.  And I often like to pretend that it is for increased efficiency—and sometimes it accidentally brings about increased efficiency—but I think it is just that things need to be constantly in flux for me to feel comfortable.

This is actually the opposite of what makes most people comfortable.  Stability and stasis and knowing that you won’t bang your toes on a credenza that wasn’t there yesterday seem to be more comfortable for most.

I used to attribute my desire for change to boredom.  I just figured I was the kind of person who needed new scenery … and that is true in part.  Highly intelligent and creative people often need movement and change, and lots of us live in mess or chaos as a result.  We feel life more than just live it.  And, like anything that you see or feel each and every day, you become numb to things if they stay the same for too long.

Once my daughter’s teacher thought she would place a brightly colored sticky note to my daughter’s desk to remind her of something.  That sticky note had an effect for about a week and a half.  After that time, the note just became a part of my daughter’s normal desk environment.  It no longer screamed brightly to remember, but it sort of faded into the everyday.

For those of us who feel our way through life, everything fades into the everyday, and we need something new in order to feel stimulated and excited and motivated.

I am one of those people, so boredom is an apt way to describe much of my need for change.

But, over time, I discovered something else about the way I desire change.  It felt like an escape.  It felt like freedom.  It felt like a release from captivity.  And it still does.

I often describe my situation as “stuck”.  I can’t afford to move.  I can’t find decent housing with a voucher that is meant to safeguard the poor from not finding decent housing (another tale for another time, perhaps).  I can’t leave the state without throwing my disability case out the window after 16 months of fighting for my rights.  I can’t change the ways my body and mind react to particular stimuli.  I can’t end the pain that plagues my whole body.  I can’t stop seeing the doctors and therapists who already know and have seen the ways my disease affects me.  I can’t end the awareness of the past events that led to this point.  I feel trapped within my disability and within a particular way of living as a result.

And I want to escape once more.

I keep changing what I can.  The furniture, the nightstand contents, the filing system all move around.  But I’m still feeling stuck.

Last night, while I was attempting to catch up on the washing of dishes (a failed attempt, but a bit of progress at least), I was thinking about my relationship with my mom.  It wasn’t great, for most of my teen and adult years.  We didn’t understand one another very well, and communicating emotion wasn’t a strong point for her, and obeying without question wasn’t a strong point of mine.  We argued as a result.  But last night I was thinking more about how she must have felt when all I wanted to do was escape, and even though I don’t really think my mom floats around my kitchen in some non-corporeal form, I said aloud, “I’m sorry if it hurt you Mom, but I needed to try … I needed to try to be free.”

I hadn’t thought of what I did from age 18 to 28 as trying to be free before, at least not in any real and deep sense.  But I was trying to be free.  I didn’t want to be captive or kept.  And running from place to place and moving from man to man and snorting line after line felt like flying after years of living caged.  It wasn’t a crazy person living out her crazy.  It wasn’t a woman lost seeking a place to fit in.  It was freedom–finally freedom!  And all of those things in all of that time didn’t necessarily serve me well or bring me wholeness and good, but they weren’t necessarily meant to do that anyway.  They were just meant to be the opposite of captivity.

When my little dog gets free of the tethers that hold him, he runs like a motherfucking bat out of hell.  He doesn’t know where he is going, or why.  He doesn’t care.  He just runs, and runs, and runs, and runs.  And there isn’t any catching him.  You have to run past him (which, by the way, sucks for a good runner, so the few times I have had to do so I nearly died as a result) and then convince him that running in the other direction sounds fun, leading him back toward the house or car from which he escaped.  Freedom.  Flying.  Just going because you are finally allowed to go.

I spent 10 years of my life flying in glorious freedom.

And then, I went back to living as others expected or anticipated I would or should.  Because you can only run so far before you tire and need to turn around.  But I still miss the flying.  I still miss that freedom.

There are all sorts of expectations once more, and there is a lot of weight to the conditions of disability and poverty that I am struggling to carry, and there are rules and rules and rules about how you may or may not be when you are dependent on others (and very few of the rules or expectations are reasonable or intuitive or helpful).  And I start to feel trapped and stuck and without an exit plan.  It reminds me of being a child, and not being able to express that really bad shit was going on in my life, and not being old enough or aware enough to leave the situation to which I felt captive.  All the ways I tried to escape that captivity—throwing tantrums, threatening my abuser, trying to run away, becoming despondent, sleep walking, wetting the bed—went unrecognized or were blamed on other causes.

I don’t fault the people in my life who didn’t know those were attempts at escape.  It isn’t easy to understand when you haven’t been informed or educated about such things.  All you see is a bunch of crazy and inconvenient and inappropriate, and you don’t know how to fix it.  And even when I did get the attention of therapists or doctors, they were kinda shitty therapists or doctors, and they did more harm than good in most cases. I wasn’t properly diagnosed with C-PTSD until a year and a half ago, because I had a breakdown/freak out/panic in the right place and the right time, for a change.

The thing about this desire for freedom, however, is that it starts to morph into something new as I age and become more aware.  I still want to run away, but I want to run to a place that brings stability, a therapeutic environment, and release from the debt and dependence of poverty.  Being free looks more like stasis and stability than I like to admit at times.  And I think that I would still rearrange the furniture and the files and the art supplies and the books in this more stable version of freedom, but I don’t think that it would make me feel stuck or captive or without freedoms.  If I had a little house on the beach, just big enough for me and the dog, and the occasional visit from my dad or my daughter, and if I could swim every day and get a massage and take a walk along the water, and if I could write and create and sell my work, and if I could grow a few plants out in my tiny garden instead of on an apartment window sill, and if I could choose the life I want and not be forced into situations that I don’t want, I could feel free in one place, and not ever need to feel the need to flee or fight or struggle toward something else.

I started with a title that implied that things don’t change.  And many things don’t.  But many things do.  And it isn’t true that the more things change they more they stay the same, even if my freedom becomes a little cottage which I own and can settle into for years to come.  Because, while that seems like stasis, it is much different from anything I have experienced in all my years—it is something I choose, without influence and expectation and abuse and appropriate cultural expression and manipulation and guilt and force making me choose (which isn’t really choice at all).

Much has changed inside of me, and in the way I see myself, and in the ways I understand my history and my illness, and in the ways that I act and react because of new awareness, and in the way I treat myself as a result.  But much has not changed.

I still long to be free.

I still want to fly.